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恨难解 Not Reconciled Not Reconciled or Only Violence Helps Where Violence Rules
影片信息
- 片名:没有和解
- 状态:HD中字
- 主演:Heinrich/Hargesheimer/Carlheinz/Hargesheimer/Martha/Staendner/达尼埃尔·于伊耶/Henning/Harmssen/Ulrich/Hopmann/Joachim/Weiler/Eva-Maria/Bold/Hiltraud/Wegener/Ulrich/von/Thüna/Ernst/Kutzinski/Karl/Bodenschatz/Heiner/Braun/Georg/Zander/Lutz/Grubnau/若阿内斯·巴尔斯基/保罗·埃塞尔/
- 导演:让-马里·斯特劳布/达尼埃尔·于伊耶/
- 年份:1965
- 地区:其它
- 类型:剧情/
- 时长:内详
- 上映:1965-07-04
- 语言:其它
- 更新:2025-03-17 02:01
- 简介:The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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剧情简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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豆瓣高分
1.0 黄飞鸿3/黄飞鸿之狮王争霸/Once Upon a Time in China III/
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3.0 黄飞鸿3/黄飞鸿之狮王争霸/Once Upon a Time in China III/
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7.0 黄飞鸿2/黄飞鸿之男儿当自强/Once Upon a Time in China II/
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8.0 Hu-Du-Men Stage Door/
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2.0 In the Mood for Love/
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8.0 黄飞鸿2/黄飞鸿之男儿当自强/Once Upon a Time in China II/
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9.0 地下司令II乌鼠大帮/Run And Kill/
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4.0 Au Revoir/ Mon Amour/Hoyat gwan tsoi loi/
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3.0 Au Revoir/ Mon Amour/Hoyat gwan tsoi loi/
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4.0 坂东龙汰/西野七濑/南果步/冈田义德/津田宽治/圆井湾/小久保寿人/森优作/秋本奈绪美/风间杜夫/
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9.0 你不来/我不老/Promise of Decades/
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7.0 沟女不离三兄弟/沟女不离3兄弟/泡妞三人组/The Best Plan Is No Plan/
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3.0 沟女不离三兄弟/沟女不离3兄弟/泡妞三人组/The Best Plan Is No Plan/
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6.0 流氓大亨/An Autumn's Tale/
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10.0 流氓大亨/An Autumn's Tale/
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10.0 笑傲江湖之东方不败/Swordsman 2/
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5.0 笑傲江湖之东方不败/Swordsman 2/
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6.0 江湖情2:英雄好汉/Tragic Hero/Rich & Famous Sequel/Black Vengeance/
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